Pancho Jiménez: Impressions & Revelations

Opening Reception | Saturday, June 4, 2022 | 3–5 pm
Artist Talk | Saturday, June 4, 2022 | 4 pm

Jenkins Johnson Gallery is pleased to present Santa Clara-based artist Pancho Jiménez’s solo exhibition Impressions & Revelations, exploring the elusiveness of dreams and memory. Joining together molded forms in unlikely combinations, Jiménez transforms kitsch elements into complex pieces with a rich and relevant focus. The juxtaposition of shapes in his sculptures may at first seem haphazard, but it is intentionally crafted to mimic the illusiveness of memory as it advances and recedes over time.

Interested in the universality of visual language and the human ability to assign meaning to symbols, Jiménez explores how meaning is formed by restructuring recognizable forms to investigate their universal significance. The artist started working with clay at a young age, which gave him the opportunity to explore his ideas through sculpture than through more traditional academic subjects. His background in art and history echoes in his artistic influences, ranging from ancient ruins of Mesoamerican art to architecture. His early work reflects the textured and carved surfaces of these ancient structures. Using a dense geometric vocabulary and patterned surfaces, these works echo the rich culture of these ancient civilizations. Making use of slabs, he carves symmetrical or organic forms on the surfaces, creating a visual tension, such as in Cara y Cara (2012) which teethers between unadulterated planes and richly textured surfaces.

Challenging the functionality of the clay which is traditionally used for objects like cups and vessels, Jiménez creates forms without any notion of utility. The artist is rather interested in the potentiality of the material which is both malleable and versatile. In his new series of work, the artist uses familiar objects such as childhood toys and tools to repurpose kitsch ceramic molds which are used to make items such as figurines and holiday decorations. Shifting his interest from symbols of the ancient past to contemporary world’s ritualistic objects, Jiménez continues his investigation into dreams and memories. This interest reflects in his series of abstract busts, hand-sculpted or utilizing assemblage of geometric forms. Presented in unlikely combinations, these works reveal figurines, skeletons, toys, and masks when looked closely—as complex as the structure of memories that are always in flux. In his most recent series, Biographies, these commercial clay molds become part of ceramic hairstyles of fictional characters, creating multiple personalities with various life stories.

Presented together, these works from different moments of the artist’s career reveal his fascination with human tendency to assign meaning and form memories. It is an excavation of a past that never was to restructure a new narrative about the current moment—haunted, eerie, and beautiful.

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